Despite his occasional trips away with the Presley entourage, Bill Yates' bread and butter work remained in Memphis.
He had a regular gig at the 5 gables Club in the late 1950s where he formed a band known as the T-Birds. Then he hooked up again with drummer Billy Adams, who had just come of the road in 1961 to
form a band. Adams band had the resident at Hernando's Hide-A-Way at 3210 Old Hernando Road in south Memphis, a nightclub of some note where the band gave exposure to many up-and-coming Memphis musicians.
Rusty Yates remembered visiting his uncle Bill there: ''I know Bill played with Billy Adams a lot. As a boy, about 4 or 5 years old. I remember being taken to a club where Adams had his drums set up, probably
the Hide-A-Way, and I sat on Adams' lap and he helped me to play the drums. I remember that we''.
regular members of the Adams band where bass player Jesse Carter, guitarist Lee Adkins, multiinstrumentalist Gene Parker, and saxophonist Russ Carlton. Jesse Carter remembered: ''I met Bill Yates
at the 5 Gables Club when he was playing as a single on South Bellevue. When he later moved to the Hide-A-Away we played together there and then he joined with Adams, and then I did too. His brother Vance
Yates would play with us sometimes. He was a great vocalist and bassist, a good man. Bill Yates was a real character, but he also had a great voice and was a good entertainer. He could always liven the crowd
up when he came along. He was a great piano player. He came from somewhere around Macon, Georgia and his dad was a Holiness preacher. The family was all into gospel singing. I think that's where he got his
presence from, his projection of a song. But he was a shady character – he was unreliable, he might just disappear for a white''.
So by 1961, Bill Yates had learned his trade and become part of a band whose musicians were wellrespected and becoming regulars at the recording studios around town. The next step for
him was surely to get a recording contract for himself. The established label in Memphis was Sun, followed by the emerging operations at Hi, Stax,or Fernwood. Other smaller fly-by-night labels came
and went but one that looked promising had just been operated by Ruben Cherry, and named Home Of The Blues after Cherry's local record store.
All through the time he was recording at Sun, Bill Yates worked with the Bill Adams group at Charles Foren's Hernando's Hide-A-Way club, and when Foren
established the new Vapors Supper Club on Brooks Road in south Memphis in 1969 Yates ans Adams moved there. By that time, Adams had set up a booking agency, Memphis Artists Attractions, booking Yates
and many others locally and across the Holiday Inn network. Memphis's Key TV Guide for April 1973 captured the local scene, carrying ads for the Admiral Benbow lounge – ''Billy Adams' Show and
Danceband plays nightly except Sunday... Bill Yates pianist, plays at cocktail time Mon-Fr'' – and for the Downtowner Motor Inn. On Union Avenue – ''the Billy Yates Trio appears from 8
to 1 six nights a week''. That year Adams and Yates were competing with other entertainment, dinning and dancing options that included Linda Ann, vivacious blonde, playing at the Casino Lounge, Eddie Bond
and his TV Stompers at the E B Ranch, Charlie Freeman at the Admiral Benbow Club Lounge, Jesse Lopez (brother of Trini Lopez) at the Rivermont Holiday Inn, and Larry Garrett and Lee Adkins at the
Eventually, Bill's absences from Memphis grew permanent. At some point, he and Vance Yates worked as
the Yates Brothers on shows booked out of Nashville by the Wil-Helm Talent Agency formed by Don Helms and the Wilburn Brothers. It is not clear how long this lasted but it is likely the Yates boys wound up
in Las Vegas. By the close of the 1970s Bill Yates had settled there. He lived at various addresses in Vegas through the 1980s, including Ramona Circle and Karen Avenue. His nephew, Rusty confirmed: ''Bill spent a
lot of time playing music in the west, especially Las Vegas, from the late 1970s through the 1980s. He was an actor too, and he was an extra and stuntman in the movies. I remembered seeing him in his western
gear, mainly westerns. But I remember one time when Batman was in big in the movies they hired Bill to make personal a ppearances at movie theatres as Batman. He'd go in there and leap around and
play the part. That was back in the 1960s''.
When Bill Yates moved west, his sister Carolyn
was also singing in lounges across the country including venues in Vegas and Lake Tahoe. Working as Carol Lee through the 1960s and 1970s, her publicity noted that she was from the backwoods of Georgia
and her singing had ''journeyed from the church to the club to concerts'' but that she was ''an entertainer first of all'', singing from songbooks as diverse as Sinatra and Ray Charles. She also sang
country, not least her own song ''I Won't Mention It Again'' that stayed at number 1 for thirteen weeks when recorded by Ray Price.
It was from Vegas that Bill Yates contacted his nephew Rusty, a budding musician, in 1979: ''I was nearly 20 years old and working for my dad, who wanted me to go into the service. But
then Uncle Bill called from Las Vegas and invited me to come out and play music with him there. In January 1980, I arrived and I was expecting to play piano, which was my instrument. But he pointed
me to the drum kit and I said I should get on the drums. He needed a drummer. So I did that for a year at the King 8 Casino and then after that I did it a couple years more. The King 8 had opened
in 1974 on Tropicana Avenue off the southern end of Vegas' main strip. It was a decent enough venue, if not quite the standard of the International where Elvis Presley had held sway for many years.
Bill played little of Presley's music but after Presley died in 1977 Bill recorded four songs: ''Elvis We Miss You'', ''Golden Guitar'', ''Poor But Proud'', and ''Number One Country Music Star''. The recordings
were a mix of blues, gospel, and country influences with story lyrics and an intense, conversational vocal style.
They were of their time and perhaps typical of part of the Yates act of the day. Rusty Yates said: ''When we were in Vegas, Uncle Bill would play an amazing range of music on piano. He'd play like Liberace and
then he'd play like Fats Domino and then he would play George Shearing or some ragtime. He could play it all. He would play his own songs too, sometimes, thing like the ''M&Ms'' song and ''Big Big World'' that
was written by his friend Red West''. Al least two of Yates' later recordings were issued. A label called Memphis Country Sights And Sound issued ''Poor But Proud'' and ''Greatest Star Of All'', one an in-vogue
nostalgic country song and the other an imaginative tribute to Hank Williams where Yates buys the car Hank took his last journey in. It would make sense that the Elvis tribute was also issued but a copy of that
disc is still to be found.
The Las Vegas marriage records show that Billy Vance Yates was married twice in
the city of the quick ceremony. On July 20, 1985 he married May Elizabeth Nolan and on April 14, 1989 he married Cathy Lynn West. Rusty Yates confirmed: ''Bill didn't stay with Mary when he went away
to Vegas. He married there twice but they didn't last. He didn't talk to his first wife for years and didn't stay in touch with his children at that time''.
According to Rusty, ''Uncle Bill spent a lot of time out west. After he left Vegas, then he went to Pinedale, Wyoming in the early 1990s.
At that time in life he became a ''mountain man'' going on trips into the wilderness and living that kind of life. He and William Golden from the Oak Ridge Boys would do that together sometimes. They's
disappear off and live in the hills and made their own leather gear and that sort of things''. In July 2000, the Sublette County Journal carried a feature on an event called the Quick Draw, where
local artists and sculptors created works on the spot, using local people and scenes as their inspiration. Their journalist wrote: ''As I stepped up to take a picture of one artist at work, I noticed that the
lump of clay before her looked and awful lot like the mountain man who was watching her work. The artist introduced herself as Joyce Killebrew from Sedona, Arizona; then the mountain man spoke. Bill Yates is
from Memphis, Tennessee, and had worked with Elvis for six years as a piano player. He then playfully scolded me for taking his picture when he didn't have his teeth in''.
The Quick Draw occurred at about the time Bill Yates' health started to nosedive. Rusty said, ''There came a time in Wyoming when Uncle
Bill was in failing health. He had diabetes, and someone contacted my dad and said that he needed to be looked after and so his family brought him back to Louisiana. Then he got into contact with
his first wife and children again in Mississippi. He had lost both legs and was very ill''. Bill moved to Forrest near Hattiesburg, Mississippi and his daughter Denise Nugend, said ''We were estranged
for many years before his illness but I convinced him to move closer to his children. He passed away in 2007 after a long illness''. The Wayne County News reported, ''Graveside funeral service for Bill
Yates, 70, of Hattiesburg, were held on Saturday, December 8, 2007, at the Isney (Ala) Cemetery. Born Dec. 21, 1936, Yates was a musician. He died on Wednesday, Dec. 5, 2007, at Forrest General Hospital in
To Rusty Yates, ''Uncle Bill was as good a musician as you'd ever hear. He always had places
to play in Memphis and in Vegas. But he would just get a hankering yo go and do something else. Wherever he was, he'd just take off from there. Uncle Vance was exactly the same way''.
Of the singing Yates family, Charles Yates is the survivor and still an accomplished gospel singer.
Vance Yates died in Corpus Christi, Texas in 2012, aged 68. His nephew said, ''He was in very bad health – the conduct of his earlier life caught up with him''. Their sister Carolyn died aged 44, in 1983. But there
is a new generation of the musical Yates family. Charles's sons Rusty and Jeff run the Rusty Yates Band out of Baton Rouge, Louisiana. Rusty grew up singing in church where his grandfather preached.
He plays keyboards and sings, like his uncle Bill, and has a repertoire that includes a nod to Ray Charles, like his uncle Vance.