It is unclear how the Prisonaires came to be heard outside the prison walls. A contemporary report stated that Joe Calloway of WSIX, Nashville, was at the prison for a newscast, heard the group and arranged for them to have a regular show on WSIX, and on the local black station, WSOK. Calloway's approach came as a wind of change was blowing through the prison. Previously known as "Swafford's Graveyard" after the previous warden, the jail was now being managed by James Edwards, a friend of Governor Frank Clement, who wanted to prepare the inmates for their return to society. 
Southern record mogul Jim Bulleit, who had helped bankroll Sun just a few months prior to this next recording, was the intermediary who put The Prisonaires together with Sam Phillips. Bob Stanley Riley was, like the group, an inmate at Nashville's State stockade and could take credit for "Just Walkin' In The Rain" along with lead vocalist, Johnny Bragg. For the next recording, the flip side of their launch vehicle, Joe Hill Louis was brought in to adds his chunky guitar phrases to Riley's beseeching lyric. To add to the growing plot, heartthrob crooner Johnnie Ray puts out a fresh version some three years after the original and this time, "Just Walkin' In The Rain" becomes an international success. Soberingly, by then the group had split, their glory days already history.
"JUST WALKIN' IN THE RAIN"* - 1 - B.M.I. - 2:47
Composer: - Robert Riley-Johnny Bragg-Buddy Killen
Publisher: - Hi-Lo Music Incorporated
Matrix number: - U-76 - Master
Recorded: - June 1, 1953
Released: - July 8, 1953
First appearance: - Sun Records (S) 78/45rpm standard single SUN 186-A mono
Reissued: - 1994 Bear Family Records (CD) 500/200rpm BCD 15801-1-22 mono
Johnny Bragg and Robert Riley were walking to the prison laundry when Bragg remarked to Riley, ''Here we are walking in the rain. I wonder what the little girls are doing''? ''Just Walkin' In The Rain'' was the song that stemmed from that observation, and it played to Bragg's strengths as a vocalist. The bridge (''People come to windows...'') perfectly captured the yearning and regret he must surely have felt on so many occasions during his long incarceration. Although no lover of close harmony groups, Phillips released ''Just Walkin' In The Rain'' on July 8, 1953.
''We used to practice, practice, practice'', Johnny Bragg said. ''We didn't have no microphones, so we used an echo with buckets. Everybody would get a bucket, and you could put that bucket up to your ears and, you know, a sound would come out. I wanted to be the Ink Spots, and I thought I could be the Ink Spots. I was young, crazy, I didn't know. I used to sing sitting in the cell. People be hollering and clapping their hands, this was the black wing at that time. 'Listen to the nigger'. 'Listen at him'. 'Well, let the nigger sing a little bit'. 'He can sing, can't he?'''. 
To Sam Phillips the demo possessed a delicate, quavering beauty, admirably seconded by William Stewart's classically spare guitar, but Sam thought it could achieve a greater intensity. And that's what they spent all day and well into the night looking for. They worked and worked on it. ''Sam Phillips wanted everything to be perfect'', Johnny Bragg said many years after the fact. ''Ain't nothing wrong with that. We started early in the morning, and now it's four o'clock, five o'clock, six o'clock. Mr. Sam was something else''.
Sam Phillips also got great joy from watching the orders roll in. Ebony magazine reported that the record sold over 200,000 copies, and the group started making personal appearances on day passes throughout the state, and, with considerable complication, outside the state. Although it didn't chart, ''Just Walkin' In The Rain'' was a hit. One who took notice was Joe Johnson who worked for Columbia's country artist and repertoire man, Don Law. Johnson soon moved to California to work for one of Law's acts, Gene Autry, and told him about ''Just Walkin' In The Rain''. Autry acquired the music publishing from Wortham, who probably thought the song had run its course.
Johnson pitched the song to Don Law in 1956, who recorded it with one of his acts, Dick Richards. Law gave Richards' disc to Columbia's New York A&R man, Mitch Miller, who produced Johnnie Ray's number 2 pop hit version. Bragg was invited to the annual BMI banquet in New York, but found himself otherwise engaged that night.
After the Prisonaires had sung ''Baby Please'' for Sam Phillips, he called over the vending machine operator, Drew Canale, to ask if his houseboy, Joe Hill Louis, could come and sit in on guitar. Louis was at the poor opposite extreme of black music: raw, unsophisticated and bluesy. It took until 8:30 p.m. to finish the two songs. Louis imparted a tough, bluesy edge to ''Baby Please'', for which he was paid $10.00, but the group persuaded Phillips that Louis should sit out ''Just Walkin' In The Rain''. They didn't wants its poignancy destroyed by his slash-and-burn guitar. Upon release, Phillips saw ''Baby Please'' as the plug side, and was surprised when ''Just Walkin' In The Rain'' became a hit.
"BABY PLEASE"** - B.M.I. - 2:48
Composer: - Robert S. Riley
Publisher: - Warner Chappell Music Limited
Matrix number: - U-75 - Master
Recorded: - June 1, 1953
Released: - July 8, 1953
First appearance: - Sun Records (S) 78/45rpm standard single SUN 186-B mono
Reissued: - 1994 Bear Family Records (CD) 500/200rpm BCD 15801-1-21 mono
"DREAMING OF YOU"** - B.M.I. – 2:27
Composer: - Unknown
Publisher: - Copyright Control
Matrix number: - None -  Not Originally Issued
Recorded: - June 1, 1953
Released: - 1990
First appearance: - Bear Family Records (CD) 500/200rpm BCD 15523-3 mono
Composer: - Tommy Edwards-Jimmy Hilliard
Publisher: - Copyright Control
Matrix number: - None -  Not Originally Issued
Recorded: - June 1, 1953
Released: - 1979
First appearance: - Charly Records (LP) 33rpm CR 30176 mono
Reissued: - 1990 Bear Family Records (CD) 500/200rpm BCD 15523-4 mono
''That Chick's Too Young To Fry'' is a spirited version of Louis Jordan, a dreamy pop song, a 5 Royales-type rhythm and blues number.
Name (Or. No. Of Instruments)
Johnny Bragg - Lead Tenor Vocal*
Ed Thurman - Tenor Vocal
John Drue - Lead Tenor Vocal**
William Stewart - Baritone Vocal and Guitar
Marcell Sanders - Bass Vocal
Possible Joe Hill Louis - Guitar
Willie Nix – Drums
When the session was finally over at 8:30 P.M., and they all poured back into the prison transport for the four-hour return drive to Nashville, the final version had the intensity that Sam Phillips had been seeking all along, a quiet intensity but an altogether focused one, too. As with ''Baby Please'', he had gotten them to slightly advance the tempo, but with no diminution of control and fewer side effects, as Johnny's spectacular falsetto was less frequently displayed and eliminated altogether at the end. The sound was more closely miked and, as a result, more intimate, the almost reverential conclusion both statelier and more spiritual. But overall the feel was so close to the original, it would be hard to say what any of the exhausted participants might have thought. Except for Sam. To Sam they had done justice to an idea as well as a sound. And whether or not the record was a hit, they had accomplished just what they had set out to do.
THE PRISONAIRES - Johnny Bragg, 27-years-old from Nashville, was the lead singer in the   Prisonaires, and convicted on 6 counts of rape, and sentenced 594 years in prison. Other members of the group are, John E. Drue, 29 years-old from Lebanon, lead   tenor vocal, sentenced 3 years for larceny; Marcel Sanders, 29-years-old from Chattanooga, bass vocal, sentenced 1 to 5 years for involuntary manslaughter; 30-year-old   Williams Steward, baritone vocal and guitar who has been imprisoned since he was 17 years old, got to crying, his mother was crying, because he was sentenced 99 years for murder; and Edward L. Thurman, 36-years-old from   Nashville, tenor vocal, also sentenced 99 years for murder. The group was made up of inmates from the Tennessee State Penitentiary. They wrote and recorded for Sun Records. According to prison records,   Johnny Bragg was a bastard kid, born in Nashville, Tennessee on January 18, 1926, and   jailed on May 8, 1943 on six counts of rape. 
According to Bragg, he was born on May, 1929   (the earlier date is his brother's birth date, which he used because the City had no trace of   his own birth), and the prison term was the result of a frame-up and terrible misunderstanding. "My troubles started when I was twelve years old", said Bragg cagily. "My  friend was dating my girlfriend, we got to fighting, and she said I tried to rape her. While   they had me, they put all these unsolved cases on me, told the peoples I was the one.   Later some of them said they was wrong, and wanted to clear their consciences before   they died. A lady goes to my church, and she shakes her head and says, 'We sure did you   wrong, John'".
Once inside, Bragg joined a gospel group with Ed Thurman, William Steward, Clarence   Moore and another whom Bragg recalls only as 'Sam'. They subsequently argued, and Bragg   formed another group called the Prisonaires. He later brought in 36 year-old Thurman (99   years for murder) as manager, and 30 year-old Steward (99 years for murder) as music   director. Guitarist Steward had a convict since his seventeenth birthday. They were joined   in the early 1950s by John Drue (3 years for larceny), and Marcel Sanders (1 to 5 years for  involuntary manslaughter). Incidentally, it appears as though Steward was not the same   William Steward who recorded country blues for Sun. The William "Talking Boy" Steward   tapes were recorded in 1951, and Bragg recalls that William Steward never played country   blues.
It is unclear how the Prisonaires came to be heard outside the prison walls. A contemporary report stated that Joe Calloway of WSIX, Nashville, was at the prison for a   newscast, heard the group and arranged for them to have a regular show on WSIX, and on   the local black station, WSOK. Calloway's approach came as a wind of change was blowing   through the prison. Previously known as 'Swafford's Graveyard' after the previous warden,   the jail was now being managed by James Edwards, a friend of Governor Frank Clement,   who wanted to prepare the inmates for their return to society.
According to Johnny Bragg, he had already made contact with the outside world - in   particular with hillbilly singers, who would come to the penitentiary to buy songs. "Word   go around there was a nigger who could write any kind of songs", said Bragg. "Hank   Williams come out there, Roy Acuff, Ernest Tubb, Little Jimmie Dickens... they all come".   Among the songs that Bragg claims to have sold was "Your Cheatin' Heart", and it is at least possible that Williams bought the genesis of the song from Bragg, as he bought other songs   that he made uniquely his own. One of those who came to the prison looking for   copyrights was Red Wortham, owner of Wortham Music.
Johnny Bragg says that Wortham came to buy songs from him; according to the 'Commercial Appeal' report, Wortham came to the prison to check out a hillbilly songwriter   (possible Clarence "Two Hats" McKeel who later wrote songs for Hugh X. Lewis and others,   and helped write the lead-sheet for "Just Walking In The Rain"), but was asked to listen to   the Prisonaires.
Not regarding himself a judge of rhythm and blues acts, Wortham sent a tape of the   Prisonaires made at WSIX to his cousin, Jim Bulleit. By that point, Bulleit had a long career   in the Nashville music business - as a partner in Bullet Records, as manager of his own   labels, and representative of others. Early in 1953 he bought himself a minority holding in   Sun Records, and one of his first moves was to forward Wortham's tape to Sam Phillips   with the recommendation that the group be signed. That tape is probably the one that contains earlier versions of "Just Walking In The Rain" and "Baby Please", together with the   Louis Jordan tune "That Chick's Too Young To Fry". The songs were tapes over a WSIX radio   show, "Youth On Parade", starring Pat Boone.
Johnny Bragg recalled that he had written "Just Walking In The Rain" (SUN 186) in   conjunction with Robert Riley, an inmate who couldn't sing. They were walking to the prison   laundry, when Bragg said, "Here we are walking in the rain. I wonder what the little girls are   doing?". Riley said it sounded like a good song title, and they quickly worked up the song.
Bulleit evidently persuaded Phillips to record the group, while Wortham retained the   music publishing rights. Sam Phillips released "Just Walking In The Rain" on July 8, 1953.   On July 28, Jud Phillips went to Nashville to meet Bulleit and the Prisonaires. Jud had   joined Sun a few months earlier, and was learning the fine art of record promotion and   distribution. "They boys (Prisonaires) are getting from 10 to 25 letters a day from all over   the country", wrote Jud. "They plan to bring all of them to you when they come over. They  make me think of a bunch of baby birds. They are fine boys all of them. I get great joy out   of helping people like that... I know you do too".
Phillips also got great joy from watching the orders roll in. Ebony magazine reported that   "Just Walkin' In The Rain" sold almost a quarter of a million copies, and heaped praise on   the Sun label. If Sam Phillips was able to press 50,000 of this song he was lucky, but the   publicity was important to Sun.
The Prisonaires' lead singer, Johnny Bragg, told a number of reporters that Elvis Presley   helped with the lyrics to "Just Walkin' In The Rain". Colin Escott and Martin Hawkins, in   Good Rockin' Tonight, published in 1991, report Braggs' claim that Elvis Presley was in the   studio when the Prisonaires recorded "Just Walkin' In The Rain". It is unlikely that Elvis   Presley was hanging around Sun Records during the Prisonaires recording sessions. "It was   hard to keep Elvis Presley from the studio", Marcus Van Story remembered. "He loved the Prisonaires gospel sound". Despite this, Bragg's claim remains unsubstantiated. "I don't   remember Elvis watching the Prisonaires record", Ronald Smith commented. The   Prisonaires were nevertheless an important influence upon both Elvis Presley and Sam   Phillips. Elvis Presley was mesmerized by Bragg's vocals, and Sam Phillips was intrigued by   the crossover sound the Prisonaires produced.
The group making personal appearances on day passes throughout the state, and - with   considerable complication - outside the state. They were held up by warden James   Edwards(*) and Governor Clement as shining examples of rehabilitation. "The hopes of   tomorrow rather than the mistakes of yesterday", gushed Clement, who brought the group   to the governor's mansion, and bought William Steward a new guitar. His enthusiasm   earned him the unissued paean "What About Frank Clement (A Mighty, Mighty Man)", which   had "Parole - Please" written all over it.
Sam Phillips found it impossible to continue the Prisonaires' success, however. As the   follow-up record to "Just Walkin' In The Rain" Phillips selected "Softly And Tenderly" (SUN   189). Billboard reviewed this release enthusiastically, but it failed to sell in large numbers.   Sun Records then released two more pop Prisonaires records before the group faded into   obscurity. There remain a number of unreleased Prisonaires recording, years later,   released by Bear Family Records in Germany.
Around early 1955, the group started breaking up. Drue and Sanders were released,   followed by Steward and Thurman. Surprisingly, Thurman's release excited some   controversy in the local press, "The people of Tennessee can only hope that the killers still   behind bars are non singers", said the editorial in the Nashville Tennessean on April 29,   1955. Bragg re-formed the Prisonaires as the Marigolds with a new set of faces including   Hal Hebb (Bobby Hebb's brother).
Unknown to Bragg, though, events were taking place that would help to secure his future   once he got outside. In May 1954, Joe Johnson (later president of Challence Records, then   working for Gene Autry's publishing company, Golden West Melodies) arranged for Autry to   acquire the copyright of "Just Walking In The Rain" from Red Wortham, shortly after, Autry   recorded a dismal version for Columbia, but Don Law, Columbia's head of country Artist   and Repertoire, saw something in the song, and when he was in New York he ran into   Mitch Miller who was scouting songs for a Johnny Ray session. Ray recorded "Just Walking  In The Rain" on June 29, 1956 in his usual petulant style, and it provide to be his   commercial rebirth after a year or two in the wilderness.
Johnny Bragg claims to have had a premonition of Ray's recording, but he had no   premonition of the vast amount of money it would bring him. "The first cheque was for   $1400", recalls Bragg, "and I told the warden to go ahead and put the cheque in the   commissary so I could buy some candy and so on. I thought the amount was $14.00! The next   cheque was for $7500". Johnny Bragg received and invitation to the Annual BMI Awards   dinner in New York for December 3, 1956. The invitation specified that he could bring a   guest, who - had he gone - would probably have been an armed guard.
By this point, Johnny Bragg was far less keen to sell compositions. He successfully pitched   a few of his songs, including "Don't Bug Me Baby", recorded by Milton Allen for RCA in 1957   (and reissued on Bear Family BFX 15357). Ernie Young, owner of Ernie's record Mart and   Excello/Nashboro Records, signed the Marigolds and they cut four singles, including "Two Stranger", first recorded by the Prisonaires at Sun. At roughly the same time, another   unissued Prisonaires song, "Don't Say Tomorrow" was cut by the Hollyhocks on Nasco   Records. Detail hounds may care to note that the Marigolds also cut an unreleased version   of the song.
Johnny Bragg was finally released from prison in 1959, and he started recording for Decca   Records in Nashville and writing for Tree Music. However, he was back behind bars again   the following year for robbery and attempted murder, charges that Bragg asserts were setup.   "A man whose name I can't say, said 'If that Bible totin' governor turns that nigger   loose, I'll get him back inside even if I have to frame him", said Bragg darkly. "They charged   me on three counts and finally got me on a charge of stealing $2.50 - and I had all kinds of   money. It was pitiful". UPI reported that Johnny Bragg had indeed been indicted on harges of stealing $2.50, but that he had done so at gunpoint, whereupon two other   white women identified him as the man who had tried to attack them. One of the charges   finally stuck, and Johnny Bragg went back inside in May 1960.
A few months later, the Elvis Presley connection had its final postscript. Bragg was visited by   Elvis Presley, who had just returned from West-Germany. "He asked repeatedly", said Bragg,   "Did I need a lawyer, was there anything he could do for me". Needing help so bad he could   taste it, Bragg nevertheless declined. "They said if I didn't take the case to the Supreme   Court, they'd get me out in nine months", asserted Brag, "but I didn't get out in nine months, and that messed me up a little bit".